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My work is somehow very quiet and not really violent at all — I's calm, like the eye of the storm.
My art is about destruction, resurrection and reconfiguration: an exploration of the secret lives of objects and materials, both strange.
I like to take man-made objects and push them to the point where they almost lose their reference, so that they become something else, take on other alliances.
The Kiss (by Rodin) used to be considered indecent. People thought it should be covered up, which in effect is what I've done. I don't think I have hidden the eroticism. If you conceal things, they become more charged.
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