 |
|
Victor Burgin
Biography | Lectures | Bibliography | Resources | Links
|
|
|
|
Interviews Works Exhibitions Top |
|
Burgin, Victor. Victor Burgin. Fundació Antoni Tàpies. Barcelona, 2001, 264 pages.
Burgin, Victor, Anthony Vidler. Shadowed. Architectural Association. London, October 2000, 198 pages, ISBN: 1902902165. Buy it at Amazon.co.uk
Burgin, Victor. Victor Burgin: Robert Gwathmey Lectures. Cooper Union for the Advancement of Science and Art. New York, 2000, 60 pages.
Burgin, Victor. The Remembered Film. In Shadowed. Architectural Association. London, 2000, 198 pages.
Burgin, Victor. Jenni's Room: exhibitionism and solitude. Critical Inquiry 27/1. University of Chicago, Autumn 2000.
Burgin, Victor. Jennis Zimmer. In Sigrid Schade, Georg C. Tholen (eds). Konfigurationen: Zwischen Kunst und Medien. Wilhelm Fink Verlag. Munich, 1999.
Burgin, Victor. Rules of Thumb; Yes, Difference Again… . In Alexander Alberro, Blake Stimson. Conceptual Art: A Critical Anthology. The MIT Press. Cambridge, 1999, pp. 248-55; 428-430.
Burgin, Victor. Art, Common Sense and Photography. In Jessica Evans, Stuart Hall (eds). Visual Culture: the reader. Rivers Oram. London, 1999, pp. 41-50.
In Jessica Evans (ed). The Camerawork Essays. Rivers Oram. London, 1997.
Burgin, Victor. Newton's Gravity. In Carol Squiers (ed). OverExposed: essays on contemporary photography. The New Press. New York, 1999, pp. 48-55.
In Carol Squiers (ed). The Critical Image: Essays on Contemporary Photography. Bay Press. Seattle, 1990, pp. 165-172.
Burgin, Victor. Venise. Black Dog Publishing. London, September 1997, 72 pages, ISBN: 1901033104. Buy it at Amazon.com or Amazon.co.uk.
Burgin, Victor. Szerelmes Levelek/Love Letters. Mücsarnok Museum, Budapest, 1997.
Burgin, Victor. Barthes' Discretion. In Jean-Michel Rabaté (ed). Writing the Image After Roland Barthes. University of Pennsylvania Press. Philadelphia, 1997.
In Modernist Utopias: Postformalism and Pure Visuality. Musée d'art contemporain de Montréal. 1996.
Burgin, Victor. The City in Pieces. In Nadir Lahiji, D.S. Friedman (eds). Plumbing: Sounding Modern Architecture. Princeton Architectural Press. New York, 1997, pp. 103-121.
Burgin, Victor. Art, Common Sense and Photography. In Jessica Evans (ed). The Camerawork Essays. Rivers Oram. London, 1997.
Burgin, Victor. Geometry and Abjection. In Arto Haapala, Jerrold Levinson, Veikko Rantala (eds). The End of Art and Beyond: Essays after Danto. Humanities. Atlantic Highlands, 1997, pp. 154-170.
Burgin, Victor. In/Different Spaces: place and memory in visual culture. University of California Press. Berkeley and Los Angeles, October 1996, 333 pages, Hardcover, ISBN: 0520202988. Buy it at Amazon.com, Amazon.de or Amazon.fr. Paperback, ISBN: 0520202996. Buy it at Amazon.com, Amazon.de, Amazon.co.uk or Amazon.fr.
Burgin, Victor. Some Cities. University of California Press. Berkeley, October 1996, 223 pages, Paperback, ISBN: 0520206363. Buy it at Amazon.com, Amazon.de or Amazon.fr. Reaktion Books. London, September 1996, Paperback, ISBN: 0948462892. Buy it at Amazon.de, Amazon.co.uk or Amazon.fr.
Burgin, Victor. The Image in Pieces: Digital Photography and the Location of Cultural Experience. In Hubertus von Amelunxen et al (eds). Photography after Photography: Memory and Representation in the Digital Age. G+B Arts. Amsterdam, 1996, pp. 26-35.
Das Bild in Teilen: Digitale Fotografie und der Ort der kulturellen Erfahrung. In Hubertus von Amelunxen et al (eds). Fotografie nach der Fotografie. Verlag der Kunst. Munich, 1996, pp. 26-35.
Burgin, Victor. Venise. In Duncan McCorquodale, Katerina Ruedi, Sarah Wiggelsworth (eds). Desiring Practices: Architecture, Gender and the Interdisciplinary. Black Dog Publishing. London, 1996, ISBN: 0952177390. Buy it at Amazon.co.uk.
Burgin, Victor. Establishing concepts of aesthetics. In Annette W. Balkema and Henk Slager (eds), Lier en Boog. The Intellectual Conscience of Art 11. Global Vernunft. Amsterdam, 1996, pp. 64-66.
Burgin, Victor et al. 69/96, Avant-Gardes et Fin de Siècle: 75 artistes racontent leur parcours. art press 17. hors-série, 1996, p. 38.
Den sønderdelte by. Passepartout: Skrifter for Kunsthistorie 74. årgang, 1996, pp. 191-214.
Burgin, Victor. A computer/video installation for the Médiathèque d'Orléans. Cambridge Architecture Journal, Scroope 7. 1995-96, pp. 20-22.
Japanese translation of: The End of Art Theory: Criticism and Postmodernity Keiso Shobo Publishers. Tokyo, 1995.
Burgin, Victor. History Painting. University at Buffalo Art Gallery/Research Center in Art + Culture. Buffalo, 1995, 52 pages.
Burgin, Victor. The City in Pieces. In Gabriel Brahm Jr., Mark Driscoll (eds). Prosthetic Territories: Politics and Hypertechnologies. Westview Press. Boulder, 1995.
Burgin, Victor. Chance Encounters: Flâneur and Détraquée in Breton's Nadja. In Stephen Melville, William Readings (eds). Vision and Textuality. Macmillan. London, 1995.
Burgin, Victor. L'image en morceaux: la photographie numérique et l'emplacement de l'expérience culturelle. In Ysabel de Roquette (ed). Art/Photographie Numérique: l'image réinventée. Cypres. Aix-en-Provence, 1995.
Burgin, Victor. L'image en morceaux. Giallu: Revue d'art et de sciences humaines 5. 1995.
Burgin, Victor et al. Questions of Feminism: 25 Responses. October 71. Winter 1995, pp. 12-15.
Burgin, Victor. On digital photography. European Photography 57, April 1995.
Burgin, Victor. Het denken van fotografie. DWB 2. 1995, pp. 167-177.
Burgin, Victor. envoi. Le Journal des Expositions. December 1994.
Burgin, Victor. Chance Encounters: Flâneur and Détraquée in Breton's Nadja. In Erica Carter, James Donald, Judith Squires (eds). Space and Place: Theories of Identity and Location. Lawrence and Wishart. London, 1993.
Burgin, Victor. The City in Pieces. New Formations 20. Summer 1993.
Die Stadt in Scherben. In Fotogeschichte 49. 1993, pp. 3-14.
Burgin, Victor. Essays on 'Fantasy' and 'Object.' In Elizabeth Wright (ed). Feminism and Psychoanalysis: A Critical Dictionary. Basil Blackwell. Oxford, Cambridge, 1992.
Burgin, Victor. Extracts from: Situational Aesthetics; 'Socialist Formalism; The Absence of Presence. In Charles Harrison, Paul Wood (eds). Art in Theory 1900-1990: An Anthology of Changing Ideas. Blackwell Publishers. Oxford, 1992, pp. 883-885; 911-916; 1097-1101.
Burgin, Victor. Paranoiac Space. New Formations 12. Winter 1992, pp. 61-75.
In Visual Anthropology Review 7/2. Fall 1992, pp. 22-30.
Burgin, Victor. Passages. Musée d'art moderne de la Communaté Urbaine de Lille. Villeneuve d'Ascq. Lille, 1991/2000, 200 pages, ISBN: 2869610440. Buy it at Amazon.fr.
Burgin, Victor. Perverse Space. In William Allen, Stephen Bann (eds). Interpreting Contemporary Art. Reaktion. London, 1991, pp. 124-38.
In Beatriz Colomina (ed). Sexuality and Space. Princeton Architectural Press. New York, 1992.
Spanish translation in Revista de Occidente 127. Madrid, December 1991, pp. 47-68.
Espace pervers. In Régis Durand (ed). art press spécial: la photographie. Paris, 1990, pp. 62-71.
Burgin, Victor. A Note on Minnesota Abstract. In Clare Farrow (ed). New Art - An International Survey. Academy/St. Martin's Press. London/New York, 1991.
Burgin, Victor. Geometry and Abjection. In J. Donald (ed). Psychoanalysis and Cultural Theory: Thresholds.Macmillan. London, 1991, pp. 11-26.
In Arto Haapala, Jerrold Levinson, Veikko Rantala (eds). The End of Art and Beyond: Essays after Danto. Humanities. Atlantic Highlands, 1997.
In Andrew Benjamin and John Fletcher (eds.), Abjection, Melancholia and Love: The Work of Julia Kristeva, Routledge. London, New York, 1990.
In J. Tagg (ed). The Cultural Politics of Postmodernism. The State University of New York. Albany, 1989.
In Public 1. Winter 1988.
German translation in E. Almhofer (ed). Das gläserne U-Boot. Vienna, 1988.
French translation in LES CAHIERS du Musée National d'Art Moderne, 21. Paris, September 1987.
Burgin, Victor. Realising the Reverie Ten 8 2. Fall 1991, pp. 8-15.
Burgin, Victor. A Note on Object Relations. Portfolio. Summer 1991, pp. 6-11.
Burgin, Victor. Photographers in Music Video. In E. Tee et al (eds). What a Wonderful World: Music Videos in Architecture. Groninger Museum. Groninger, 1990, pp. 22-25.
Quality and Gloss. In Framework 4/3. Los Angeles, 1991. (Revised version)
Burgin, Victor. Chance Encounters: Flâneur and détraquée in Breton's Nadja. New Formations 11. Summer 1990, pp. 79-90.
In Qui Parle 4/1. Berkeley, Fall 1990, pp. 47-61.
Burgin, Victor. Cultural Studies in Britain: Two Paradigms. newsletter. The Center for Cultural Studies. UC Santa Cruz, Spring 1990, pp. 4-8.
Burgin, Victor. A Note on Minnesota Abstract. Art & Design. Spring 1990, pp. 62-65.
Burgin, Victor. Taideteorian Loppu. Suomen Valokuvataiteen Museon Säätiö. Literos. Helsinki, 1989, 192 pages.
Burgin, Victor. Seiburealism. In New Formations 7. Spring 1989. pp. 1-7.
Burgin, Victor. Victor Burgin, opere 1982-1986. Le Case d'Arte. Milan, 1988, 40 pages.
Burgin, Victor. Victor Burgin: Office at Night and Danades/Dames. Knight Gallery. Charlotte, North Carolina, 1988, 49 pages.
Burgin, Victor. Yes, Difference Again. Flash Art 143. November/December 1988, pp. 110-111.
Burgin, Victor. Selections: texts 1981-1988. Artlink 8/1. Adelaide, March-May 1988.
Burgin, Victor. Legitimating Narratives. Camera Austria 25. 1988, pp. 4-13.
Burgin, Victor. Geometry and Abjection. AA files -- Annals of the Architectural Association School of Architecture 15. Summer 1987.
Burgin, Victor. Psychical Space and Postmodernism. In The British Edge. Institute of Contemporary Art. Boston, 1987.
Burgin, Victor. Seiburealism. In Georges Teyssot (ed). Beyond the City, the Metropolis. Electa. Milan, 1988, pp. 139-141.
Italian translation in Georges Teyssot (ed). Oltre La Città, la Metropoli: Le città del mondo e il futuro delle metropoli. Electa. Milan, pp. 139-141.
Burgin, Victor. Between. Basil Blackwell. Oxford and New York, 1986, 206 pages.
Burgin, Victor. The End of Art Theory: Criticism and Postmodernity. Macmillan Press/Humanities Press International. London and Basingstoke/New Jersey, 1986 / 1987 / 1988 / 1992 / 1993 / 1996, 221 pages, Paperback, ISBN: 0333398572. Buy it at Amazon.co.uk.
Burgin, Victor, J. Donald, C. Kaplan (eds). Formations of Fantasy. Methuen. London, 1986, 221 pages.
Burgin, Victor. Diderot Barthes, Vertigo. In Victor Burgin, J. Donald, C. Kaplan (eds). Formations of Fantasy. Methuen. London, 1986.
Burgin, Victor. Something About Photography Theory… . Screen. London, 1985.
In A. Rees, F. Borzello (eds). The New Art History. Prometheus Books. Camden, 1986.
Finnish translation in Tiedotustutkimus: journal for media studies. Helsinki, 1997.
German translation in Hubertus von Amelunxen (ed). Theorie der Fotografie IV. Schirmer/Mosel. Munich, 1997
Burgin, Victor, John T. Paoletti. The Critical Eye. Yale Center for British Art. New Haven, May 1984, Hardcover, ISBN: 0930606469. Buy it at Amazon.com.
Burgin, Victor. Tea with Madeleine. Wedge 6. New York, Winter 1984.
In Brian Wallis (ed). Blasted Allegories. The MIT Press. Cambridge, 1987, pp. 298-309.
Te med Madeleine. Bildtidningen 1. 1991.
Burgin, Victor. Man-Desire-Image. Desire. ICA documents series. ICA. London, 1984.
Burgin, Victor. The Absence of Presence: Conceptualism and Post-modernisms. In Hilary Gresty. 1965 to 1972 -- when attitudes became form. Kettle's Yard. Cambridge, 1984.
Excerpted in Charles Harrison, Paul Wood (eds). Art in Theory 1900-1990: An Anthology of Changing Ideas. Blackwell Publishers. Oxford, 1992, pp. 1097-1101.
Burgin, Victor (ed). Thinking Photography. The Macmillan Press Ltd./Humanities Press International. London and Basingstoke/New Jersey, 1982 / 1983 / 1984 / 1985 / 1987 / 1988 / 1990 / 1992 / 1993 / 1994, 239 pages.
Burgin, Victor. Hôtel Latône. Edition Musée de Calais. Calais, 1982, 46 pages.
Burgin, Victor. Rereading Camera Lucida. Creative Camera 215. November 1982, pp. 730-734, 744.
Beim Wiederlesen der Hellen Kammer. Fotogeschichte 7/23. 1987.
Burgin, Victor. A propos Fotografie. Kunstforum International 42. June 1980, pp. 69-75.
Burgin, Victor. Seeing Sense. Artforum XVIII. February 1980, pp. 62-65.
In H. Davis, P. Walton (eds). Language, Image, Media. Blackwell Publishers. Oxford, 1983.
Finnish translation in M. Lintunen (ed). Kuvista Sanoin 3. Suomen Valokuvataiteen Museon Säätiö. Helsinki, 1986.
German translation in Hubertus von Amelunxen (ed). Theorie der Fotografie IV. Schirmer/Mosel. Munich, 1997.
Burgin, Victor. Radical Attitudes to the Gallery. In Tony Rickaby (ed). Studio International 195/990. 1980, pp. 25-26.
Burgin, Victor. Photography, Phantasy, Function. Screen 21/1. Spring 1980, pp. 43-80.
Burgin, Victor. Images of People. Studio International 989. 1978, p. 2.
Burgin, Victor. Family Lapp Princess Press, Ltd. New York, 1977, 14 pages.
Burgin, Victor. Victor Burgin. Stedelijk van abbemuseum. Eindhoven, 1977, 88 pages.
Burgin, Victor. Looking at Photographs. Screen Education 24. Fall 1977.
In Tracks. New York, 1977.
Excerpted in Hayward Annual 1979, Hayward Gallery, London, 1979.
German translation In W. Kemp (ed). Theorie der FotografieIII: 1945-1980. Schirmer/Mosel: Munich, 1983.
In M. Alvarado, E. Buscombe, R. Collins (eds). Representations and Photography: The Screen Education Reader Volume II. Macmillan. London, 1994.
Excerpted in Kristine Stiles, Peter Selz (eds). Theories and Documents of Contemporary Art. University of California Press. Berkeley, 1996.
Mirar fotografies. In Glòria Picazo, Jorge Ribalta (eds). Indiferencia y Singularidad. Museu d'Art Contemporani. Barcelona, 1997
Burgin, Victor. Politically committed? In C. Bernhardt (ed). Was erwartest du…? What do you expect? Paul Maenz. Cologne, 1977, 22 pages.
Burgin, Victor. Two Essays on Art, Photography and Semiotics. Robert Self Publications. London, 1976, 24 pages.
Burgin, Victor. Modernism in the Work of Art. 20th Century Studies 15-16. December 1976.
Burgin, Victor. Socialist Formalism. Studio International 191/980. March/April 1976.
Excerpted in Charles Harrison, Paul Wood (eds). Art in Theory 1900-1990: An Anthology of Changing Ideas. Blackwell Publishers. Oxford, 1992, pp. 911-916.
Burgin, Victor. Why Photography? In Arte Inglese Oggi 1960-76. Electra Editrice. Milan, 1976.
Burgin, Victor. Art, Common Sense and Photography. Camerawork. London, 1976, pp. 1-2.
In Jessica Evans (ed). The Camerawork Essays. Rivers Oram. London, 1997.
Les Manipulations de la photographie. Skira Annual 3. Skira. Geneva. 1976.
Burgin, Victor. Photographic Practice and Art Theory. Studio International. July/August 1975.
Burgin, Victor. Work and Commentary Latimer. London, 1973, 172 pp.
Burgin, Victor. Work and Commentary. Latimer. London, 1973.
Excerpted in Catalog for Projekt '74: Kunst bleibt Kunst. Cologne, 1974, pp. 154-157.
Excerpted in Carl Andre/Marcel Broodthaers/Daniel Buren/Victor Burgin/Gilbert and George/On Kawara/Richard Long/Gerhard Richter. Palais des Beaux-Arts. Brussels, 1974.
Burgin, Victor. Margin Note. A Survey of the Avant-Garde in Britain. Gallery House. London, 1972, pp. 15-19.
Burgin, Victor. In Reply. Art-Language 2. Summer 1972, pp. 32-34.
Burgin, Victor. Rules of Thumb. Studio International 181. May 1971, pp. 237-39.
German translation In Konzept-kunst. Kunst-Museum. Basel 1971.
In documenta 5. Kassel, 1972, section 17, p. 36.
Burgin, Victor. Thanks for the Memory… . Architectural Design 40. August 1970, pp. 288-292.
Burgin, Victor. Language and Art. In David Lamelas (ed). Publication Nigel Greenwood. London, 1970, pp. 9-12
Burgin, Victor. Idea Structures Camden Arts Centre. London, 1970, pp. 9-11
Burgin, Victor. Situational Aesthetics. Studio International 178. October 1969.
Tilanteen Estetiikkaa. In Lauri Antilla (ed). Taidehalli. Helsinki, 1988.
In Gerd de Vries (ed). On Art/Uber Kunst. Cologne, 1974.
In Ursula Meyer (ed). Conceptual Art. New York, 1972.
Excerpted in Charles Harrison, Paul Wood (eds). Art in Theory 1900-1990: An Anthology of Changing Ideas. Blackwell Publishers. Oxford, 1992, pp. 883-885.
Burgin, Victor. Art Society System. Control. 1968, pp. 4-6.
|
|
|
Books Works Exhibitions Top |
|
Burgin, Victor, Bruno Masi. Imaginer le Paris de Nietzsche. Libération. November 24, 2001.
Burgin, Victor, Amanda Nowinski. Victor Burgin: the art of being understood. Speak. April/May 1998, pp. 26-29
Burgin, Victor, Maja Duric. Viktor Burgin. Likovni Zivot. Belgrade, February/May 1997, pp. 111-112
Burgin, Victor. Interview with Victor Burgin. In John Roberts (ed). The Impossible Document: Photography and Conceptual Art in Britain 1966-1976. Camerawork. London, 1997, pp. 80-103
Burgin, Victor, Marie Cieri (Interview). Victor Burgin in residence. In 19 Projects: Artists in Residence at the MIT List Visual Arts Center. MIT List Visual Arts Center. Cambridge, 1996, pp. 78-90.
Burgin, Victor, Homi Bhabha. Visualizing Theory. Visual Anthropology Review 8/1. Spring 1992, pp. 70-81.
In Visualizing Theory: Selected Essays from V.A.R. 1990-1994. Routledge. New York, London, 1994, pp. 452-467.
Burgin, Victor et al. Une manière de dire "Je constate." Sans Titre 4. October/November/December 1991, pp. 1-2.
Burgin, Victor, Laura Cottingham (Interview). Interview with Victor Burgin. Journal of Contemporary Art 4. Spring/Summer 1991, pp. 12-23.
Burgin, Victor, Gregorio Magnani (Interview). Interview with Victor Burgin. Flash Art 149. November/December 1989, pp. 119-121.
Burgin, Victor, Geoffrey Batchen (Interview). For an Impossible Realism: An Interview with Victor Burgin. Afterimage 16/7. February 1989, pp. 4-9.
In Agenda-Interviews. Melbourne, pp. 8-12
Burgin, Victor, Regis Durand. Victor Burgin: l'adieu à la photographie. art press 130. November 1988, pp. 6, 20-24.
Burgin, Victor, Linda Marie Walker. Sideslipping. BROADSHEET 17/1. March 1988, Adelaide, pp. 8-9.
1988 Brook, Donald, 'An exchange of opinion,' Artlink, v. 8, n. 1, March-May, Adelaide, pp. 10-11.
Burgin, Victor, Mark Lewis (Interview). Interview with Victor Burgin. C 16. Toronto, Winter 1987/88, pp. 54-65.
Burgin, Victor, Jon Bird (Interview). Postmodern abjection -- interview with Victor Burgin. Victor Burgin. Knight Gallery. City of Charlotte, NC, 1988.
Burgin, Victor, Tony Godfrey (Interview). Sex, Text, Politics: An Interview with Victor Burgin. Block 7. 1982, pp. 2-26.
Excerpted in Burgin, Victor. US 77/Zoo '78. Picker Art Gallery. Hamilton, New York, 1980.
Excerpted in Faire Semblant. Musée de Grenoble. Grenoble, pp. 175-89.
Excerpted in Art Conceptuel Formes Conceptuelles. Christian Schlatter. Galerie 1900-2000 and Galerie de Poche. Paris, 1990, pp.184-189.
Burgin, Victor, Rosetta Brooks (Interview). Victor Burgin: Interview. Z.G. 1. 1981.
Burgin, Victor, Annina Nosei Weber (ed). Discussion. New York, 1980, pp. 79-91.
Burgin, Victor, Eirlys Tynan. Victor Burgin in Newcastle. Studio International 193. September/October 1976, pp. 225-226
Burgin, Victor, Anne Seymour (Interview). The New Art. The Hayward Gallery. London, 1972, pp. 74-78.
Burgin, Victor. Conceptual Art: Interview with Victor Burgin. Varsity. Cambridge University, October 1971.
Visual Works made for Journals
Burgin, Victor. Aids campaign image for Jardin des Modes. No 190/Trimestriel. Spring 1996, p. 6.
Burgin, Victor. Untitled, for Linda Hutcheon; Colonialism and the Postcolonial Condition. In PMLA 110/1. January 1995, p. 8.
Burgin, Victor. Fragments d'une commande publique. For Réunion des Chantiers: Nord Sud. Hors série. March 1995, p. 30.
Burgin, Victor. La guerre du Golfe. Illustration for Jacques Lévy, Vers un village planétaire? In Sciences Humaines 1. hors série. February 1993, pp. 12-13
Burgin, Victor. Mutual Trust. Artpaper. Tabloid poster. Minneapolis/St. Paul, back page, October 1989.
Burgin, Victor. Contribution to 'wonder' project. Artforum. Summer 1989, p. 119.
Burgin, Victor. Progetto. Juliet 38. October/November 1988, front and back covers.
Burgin, Victor. Center Pages. Block 8. 1983, pp. 22-23.
Burgin, Victor. Gradiva. Creative Camera 215. November 1982, pp. 716-23.
In Formations 1. after p. 14.
French translation in Faire Semblant. Musée de Grenoble. pp. 168-174.
Burgin, Victor. Centerfold. ZG 1. 1981.
Burgin, Victor. It's worth thinking about. Studio International 191/980. March/April 1980, pp. 146-47.
Burgin, Victor. What does possession mean to you? Camerawork 3. 1976, back cover.
Burgin, Victor. Tous critères; Period d'interruption au cours d'une action corporelle concertee. VH 101 3. Fall 1970, pp. 32-36
Burgin, Victor. Any moment previous to the present moment… . Studio International 180. July/August 1970, pp. 32-36 |
|
|
Books Interviews Exhibitions Top |
|
Images used for Book and Journal covers
Burgin, Victor. City: culture, theory, policy action 7. 1997.
Burgin, Victor, Jonathan Bignell. Media Semiotics: An Introduction. Manchester University Press. Manchester, 1997.
Burgin, Victor, Marlene Streowitz. Verfürung. Suhrkamp Verlag. Frankfurt, 1997.
Burgin, Victor, Julia Lupton and Jenneth Reinhard. After Oedipus: Shakespeare in Psychoanalysis. Cornell University Press. Ithaca, 1993
Print Portfolios
Burgin, Victor. Ceci n'est pas une réalité virtuelle… . For Images pour la lutte contre le sida. Ministère de la Culture et de la Communication & Agence française de lutte contre le sida, Paris, 1993.
Burgin, Victor. Fiction Film. Paragon Press. London, 1991.
Burgin, Victor. Portrait of Waldo Lydecker. Amies du Musée d'art moderne de la Communauté Urbaine de Lille. Villeneuve d'Ascq. Lille, 1991.
Publicly Commissioned Artworks
Burgin, Victor. Unexecuted design for permanent multi-media installation. 1997. Bute Street Arts and Media Centre. Luton, England (shortlisted finalist).
Burgin, Victor. Permanent video installation for the Médiatheque d'Orléans. 1994. Ville d'Orléans, France.
Burgin, Victor. Unexecuted design for permanent video installation for the Hotel Furkablick. 1994. Furkapasshöhe, Switzerland.
Burgin, Victor. Venise. 1993. Video, 30 min, Ville de Marseille, France.
Burgin, Victor. Poster for Images pour la lutte contre le sida. 1993. Ministère de la Culture et de la Communication. France/Agence française de lutte contre le sida.
Burgin, Victor. Unexecuted design for city-wide illuminated poster installation for the Ville del Blois. 1992. France.
Burgin, Victor. Original print for Estampes et Revolution: 200 Ans Après. 1989. Centre National des Arts Plastiques, Ministère de la Culture et de la Communication. France (100 sets of prints, commissioned from an international selection of artists, and distributed throughout France as part of the Bicentennial Celebration of the French Revolution).
Burgin, Victor. Fall. 1989. Video-wall [Edited version (9 monitors)], two minute videodisk programme. Tate Gallery, London
Burgin, Victor. Fall. 1987. Video-wall (36 monitors), two minute videodisk programme. Mississauga Shopping Mall, and other locations, Toronto.
Burgin, Victor. What does possession mean to you? 1976. Color poster, 1000 copies posted in the streets in the center of Newcastle upon Tyne, summer; other poster works, various dates.
Artworks in Public Collections include:
The Museum of Modern Art, New York
The New York Public Library
Los Angeles County Museum of Art, Los Angeles
Museum of Contemporary Art, Los Angeles
The Walker Art Center, Minneapolis
The Tate Gallery, London
The Victoria and Albert Museum, London
The Arts Council Collection, London
Centre Georges Pompidou, Paris
Video Production
Burgin, Victor. Venise 1993. Color, 30 minutes, French, English sub-titles. |
|
|
Books Interviews Works Top |
|
Solo Exhibitions
Burgin, Victor. Victor Burgin: some early works 1970-1983. 2001. Galeria Javier Lopez, Madrid.
Burgin, Victor. Victor Burgin. 2001. Fundació Antoni Tàpies, Barcelona.
Burgin, Victor. Nietzsche's Paris. 2001. Christine Burgin Gallery, New York.
Burgin, Victor. Nietzsche's Paris and Studies for Video. Galerie Liliane & Michel Durand-Dessert, Paris.
Burgin, Victor. Nietzsche's Paris. 2000. Architectural Association, London.
Burgin, Victor. Lichtung. Weimar 99. 1999, Cultural Festival, Weimar, Germany
Burgin, Victor. The Glue Man and other studies for video. 1999. John Weber Gallery, New York.
Burgin, Victor. Case History. 1998-9. Yerba Buena Center for the Arts, San Francisco.
Burgin, Victor. The Embrace and Studies for Video. 1998-99. Galerie Fotohof, Salzburg, Austria.
Burgin, Victor. Szerelmes Levelek/Love Letters. 1997. Mücsarnok Museum, Budapest, Hungary.
Burgin, Victor. Love Stories. March 1996. John Weber Gallery, New York.
Burgin, Victor. The End. March 1995. University at Buffalo Art Gallery/Research Center in Art + Culture.
Burgin, Victor. The Four Seasons. November 1994. Galerie Duran-Dessert, Paris.
Burgin, Victor. The End. March 1994. John Weber Gallery, New York.
Burgin, Victor. Family Romance. 1993. Center for Research in Contemporary Art, University of Texas at Arlington.
Burgin, Victor. Fiction Film. 1992. John Weber Gallery, New York.
Burgin, Victor. Passages (Retrospective). 1992. Espace Poulain, Ville de Blois, France.
Burgin, Victor. Passages (Retrospective). 1991. Musée d'art moderne Villeneuve d'Ascq, Villeneuve d'Ascq, France.
Burgin, Victor. Family Romance and Other Works. 1990. Karl Bornstein Gallery, Los Angeles.
Burgin, Victor. Family Romance. 1990. John Weber Gallery, New York.
Burgin, Victor. Object Relations. 1989. John Weber Gallery, New York.
Burgin, Victor. Minnesota Abstract. 1989. Film in the Cities, St. Paul, Minnesota.
Burgin, Victor. Victor Burgin. 1989. Galerie Durand-Dessert, Paris.
Burgin, Victor. Park Edge. 1988 National Gallery of Australia, Canberra
Burgin, Victor. Victor Burgin. 1988. Le Casa D'Arte, Milan.
Burgin, Victor. 1986. Institute of Contemporary Arts, London
Burgin, Victor. 1986. Kettles Yard, Cambridge
Burgin, Victor. 1986. Orchard Gallery, Derry
Burgin, Victor. Office at Night. 1986. John Weber Gallery, New York.
Burgin, Victor. Office at Night. 1986. Massachusetts Institute of Technology, Albert and Vera List Visual Arts Center, Cambridge, Massachusetts.
Burgin, Victor. Office at Night. 1986. Renaissance Society at the University of Chicago, Illinois.
Burgin, Victor. The Bridge. 1984. John Weber Gallery, New York.
Burgin, Victor. 1984. Galerie Durand-Dessert, Paris.
Burgin, Victor. 1984. Impressions Gallery of Photography, York.
Burgin, Victor. Tales from Freud. 1982. John Weber Gallery, New York.
Burgin, Victor. Tales from Freud. 1982. Yarlow-Salzman Gallery, Toronto.
\urgin, Victor. 1981. Zwiczek Polskich Artsow Fotografickow, Warsaw.
Burgin, Victor. 1981. Musée de la Ville de Calais, Calais.
Burgin, Victor. In Lyon. 1980 Espace Lyonnais d'Art Contemporain, Lyon.
Burgin, Victor. Victor Burgin US 77/Zoo 78. 1980. Picker Art Gallery.
Burgin, Victor. 1980. Colgate University, Hamilton, New York.
Burgin, Victor. 1980. Galerie Durand-Dessert, Paris.
Burgin, Victor. 1979. John Weber Gallery, New York.
Burgin, Victor. 1979. DAAD Gallery, Berlin.
Burgin, Victor. 1979. Max Hetzler Gallery, Stuttgart.
Burgin, Victor. 1978. Museum of Modern Art, Oxford.
Burgin, Victor. Victor Burgin US 77. 1978. Galerie Durand--Dessert, Paris.
Burgin, Victor. 1977. John Weber Gallery, New York.
Burgin, Victor. 1977. Stedelijk van Abbemuseum, Eindhoven.
Burgin, Victor. 1976. Institute of Contemporary Arts, London.
Burgin, Victor. 1976. Foksal Gallery, Poznan, Poland.
Burgin, Victor. 1975. Galerie Daniel Templon, Paris.
Burgin, Victor. 1975. Paul Maenz, Cologne.
Burgin, Victor. 1975. Galleria Daniel Templon, Milan.
Burgin, Victor. 1974. Galerie Daniel Templon, Paris.
Burgin, Victor. 1974. Lisson Gallery, London.
Burgin, Victor. 1973. Galerie Daniel Templon, Paris.
Burgin, Victor. 1973. Paul Maenz, Cologne.
Burgin, Victor. 1973. Paul Maenz, Brussels.
Burgin, Victor. 1972. Galleria Daniel Templon, Milan.
Burgin, Victor. 1971. Galerie Daniel Templon, Paris.
Burgin, Victor. 1971. Paul Maenz, Cologne.
Burgin, Victor. 1971. Galleria Daniel Templon, Milan.
Burgin, Victor. 1970. Galerie Daniel Templon, Paris.
Group Exhibitions
Burgin, Victor et al. Dressing Down. October-January 2002-3. Barbican Gallery, London.
Burgin, Victor et al. Yale University Alumni Choice. 2001. Yale University School of Art, New Haven, Connecticut.
Burgin, Victor et al. Double Vision. 2001. Galerie für Zeitgenössische Kunst, Leipzig.
Burgin, Victor et al. Gymnasion. 2001. Bregenzer Kunstverein, Bregenz, Austria.
Burgin, Victor et al. Media/Metaphor. 2000-01. 46th Corcoran Biennial, Corcoran Gallery of Art, Washington, DC.
Burgin, Victor et al. New Narrative Strategies. 2000. Rencontres Internationales, Arles
Burgin, Victor et al. Foul Play. 1999. Thread Waxing Space, New York, 1999
Burgin, Victor et al. Notorious. 1999. Museum of Modern Art, Oxford (and touring: Sydney, Tokyo, Barcelona, and other venues to 2001).
Burgin, Victor et al. Sleuth. 1999. Barbican Center, London.
Burgin, Victor et al. Tomorrow is Forever. 1999. Künstlerwerkstatt Lothringerstraße, Munich, Germany.
Burgin, Victor et al. 1998. Galerie Fotohof, Salzburg, Austria.
Burgin, Victor et al. 1998. Konstmuseum, Uppsala, Sweden.
Burgin, Victor et al. Chemical Traces: Photogaphy and Conceptual Art 1968-1998. 1998. Ferens Art Gallery, Kingston Upon Hull.
Burgin, Victor et al. Narrative Urge. 1997. Lombard/Freid Fine Arts, New York.
Burgin, Victor et al. Biennale Internationale de l'Image: Instants de Ville. 1997. Palais des Congrès de Nancy, Nancy, France
Burgin, Victor et al. Foto Text/Text Foto: dialog von fotografie und text in der gegenwartskunst. 1997. Fotomuseum, Winterhur.
Burgin, Victor et al. La stanza degli specchi: Arte e film dal 1945. 1997. Palazzo della Esposizioni, Rome.
Burgin, Victor et al. The Impossible Document: Photography and British Conceptual Art 1967-76. 1997. Camerawork Gallery, London, England.
Burgin, Victor et al. Face à l'Histoire 1933-1966: L'artiste moderne face à l'événement historique. 1996-7. Centre Georges Pompidou, Paris.
Burgin, Victor et al. Rencontres Internationales de la Photographie. 1996. Arles, France.
Burgin, Victor et al. Victor Burgin, Dan Graham, Rodney Graham, John Hilliard. 1996. Lisson Gallery, London.
Burgin, Victor et al. Hall of Mirrors: Art and Film Since 1945. 1996. The Museum of Contemporary Art/The Temporary Contemporary, Los Angeles.
Burgin, Victor et al. Photography after Photography: defining photography through digitality. 1996. Kunsthalle München (and subsequently in other venues in other European and US cities).
Burgin, Victor et al. Text & Image. 1996. Frankfurter Kunstverein/Museum of Modern Art Bolzano.
Burgin, Victor et al. Styki/Contact Prints. 1996. Galeria Foksal, Warsaw.
Burgin, Victor et al. 1965-1975: Reconsidering the Object of Art. October-January 1995-96. The Museum of Contemporary Art/The Temporary Contemporary, Los Angeles.
Burgin, Victor et al. 3e Biennale de Lyon: installation, cinéma, vidéo, informatique 1995-96. Musée d'Art Contemporain de Lyon, Lyon France.
Burgin, Victor et al. Dubbel Spel - Buiten Kennis (Double Play - Beyond Cognition). 1995. City Academy of Sint-Nikklaas, Belgium.
Burgin, Victor et al. Contemporary British Art in Print. 1995. Scottish National Gallery of Modern Art, Edinburgh.
Burgin, Victor et al. Fotografie nach der fotografie (Photography after photography). 1995. Siemens Kulturprogramm, Munich.
Burgin, Victor et al. New Acquisitions? New Work/New Directions 2. 1994. Los Angeles County Museum of Art, Los Angeles.
Burgin, Victor et al. Paper Work. 1994. John Weber Gallery, New York.
Burgin, Victor et al. Artists' Impressions. 1994. Kettle's Yard, University of Cambridge; touring to Castle Museum, Nottingham, Walsall Museum and Art Gallery, and other venues.
Burgin, Victor et al. The Camera Politic. 1993. Touring exhibition, various venues, United States and Europe.
Burgin, Victor et al. Iterations: The New Digital Imaging. 1993. International Center of Photography, New York.
Burgin, Victor et al. Darkness + Light: Twentieth-Century Works from Texas Collections. 1993. Blaffer Gallery, University of Houston, Texas.
Burgin, Victor et al. Out of Sight, Out of Mind.. 1993. Lisson Gallery, London.
Burgin, Victor et al. Artistes pour Amnesty International. 1992. Fondation Nationale des Arts, Paris, France. Amnesty International Benefit Exhibition and Auction, Hôtel des arts, Paris.
Burgin, Victor et al. L'Epreuve Numérique. 1992. Palais de Tokyo, Paris.
Burgin, Victor et al. The Power of Words: An aspect of recent documentary photography. 1992. American Federation of the Arts, national two year touring exhibition.
Burgin, Victor et al. Shocks to the System. 1991. Royal Festival Hall, London; Northern Centre for Contemporary Art, Sunderland.
Burgin, Victor et al. The Political Arm. 1991. John Weber Gallery, New York.
Burgin, Victor et al. Works on Paper. 1991. John Weber Gallery, Madrid.
Burgin, Victor et al. Four British Artists. 1990. John Weber Gallery, New York
Burgin, Victor et al. 65-75: Aspetti Pratiche dell'Arte Europea. 1990. Castello di Rivera, Turin.
Burgin, Victor et al. Inquiries: Language in Art. 1990. Art Gallery of Ontario, Ontario.
Burgin, Victor et al. Art conceptuel Formes conceptuelles. 1990. Galerie 1900-2000, Galerie de Poche, Paris.
Burgin, Victor et al. The Power of Words. 1990. P.P.O.W., New York.
Burgin, Victor et al. l'art conceptuel, une perspective. 1990. ARC, Musée d'Art Moderne de la Ville de Paris.
Burgin, Victor et al. The Art of Photography: 1839-1989. 1989. Museum of Fine Arts, Houston; Royal Academy of Art, London; Ministry of Culture of the Soviet Union, Moscow; National Gallery of Australia, Canberra.
Burgin, Victor et al. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. 1989. Art Institute of Chicago; National Gallery of Art, Washington; Los Angeles County Art Museum.
Burgin, Victor et al. Estampes et Revolution: 200 Ans Après. 1989. Centre National des Arts Plastiques, Paris, France, with following national tour.
Burgin, Victor et al. International video exhibition. 1989. The Tate Gallery, London.
Burgin, Victor et al. FOTO Biennale Enschede. 1989. Enschede, Netherlands.
Burgin, Victor et al. 1789-1989. 1989. Centre National des Arts Plastiques, Paris; touring regional centers.
Burgin, Victor et al. Homage aux collections particulière en France. 1989. Galerie La défense, Paris.
Burgin, Victor et al. Hannah Collins, George Rousse, Victor Burgin. 1989. Galeria La Máquina Espanola, Madrid.
Burgin, Victor et al. Malaise. 1989. Galeria La Máquina Espanola, Madrid.
Burgin, Victor et al. New Acquisitions/New Work/New Directions. 1989. George Eastman House, Rochester, New York.
Burgin, Victor et al. Through the Looking Glass-Photographic Art in Britain 1945-1989. 1989. Barbican Art Gallery, London.
Burgin, Victor et al. Corporate Identities. 1989. Cornerhouse, Manchester.
Burgin, Victor et al. This is not a Photograph: Twenty Years of Large-Scale Photography, 1966-1986. 1988. Ringling Museum of Art, Florida; Akron Art Museum; The Chrysler Museum, Norfolk, Virginia.
Burgin, Victor et al. The Future of the Metropolis. 1988. Triennale di Milano, Milan.
Burgin, Victor et al. Something Solid. 1988. Cornerhouse, Manchester.
Burgin, Victor et al. Presi per Incantamento. 1988. Padiglione d'Arte Contemporanes di Milano, Milan.
Burgin, Victor et al. Towards a Bigger Picture. 1988. Victoria and Albert Museum, London.
Burgin, Victor et al. Under Construction: New Photomontage. 1988. Cranbrook Academy of Art Museum, Michigan.
Burgin, Victor et al. Berliner Künstler Program-25 Jahre. 1988. Akademie der Künste, Berlin.
Burgin, Victor et al. The British Edge. 1987. Institute of Contemporary Arts, Boston.
Burgin, Victor et al. Valokuva 87. 1987. Tampereen Nykytaiteen Museossa, Tampere, Helsinki.
Burgin, Victor et al. British Art in the Twentieth Century. 1987. The Royal Academy, London.
Burgin, Victor et al. Englische Kunst im 20. Jahrhudert. 1987. Staatsgalerie Stuttgart.
Burgin, Victor et al. The Other Body. 1987. Photographic Resource Center, Boston University.
Burgin, Victor et al. Perverted by Language. 1987. Hillwood Gallery, Long Island University.
Burgin, Victor et al. At Issue: Art and Advocacy. 1987. Saint Louis Gallery of Contemporary Art.
Burgin, Victor et al. 20th Anniversary Exhibition. 1987. Lisson Gallery, London.
Burgin, Victor et al. The Lunatic of One Idea. 1987. Public Access, Toronto.
Burgin, Victor et al. U-Media. 1987. Västerbottens Museum, Umeä, Sweden.
Burgin, Victor et al. Photography and Art. 1987. Los Angeles County Museum; Museum of Art, Fort Lauderdale; Queens Museum, NY; Des Moines Art Center.
Burgin, Victor et al. Écran Politiques. 1987. Musée d'Art Contemporain de Montreal.
Burgin, Victor et al. Berlinart 1961-1987. 1987. Museum of Modern Art, New York.
Burgin, Victor et al. Ghislain Mollet-Viévelle-Agent d'Art. 1987. Ecole des Beaux-Arts, Dunkerque.
Burgin, Victor et al. The Turner Prize. 1987. Tate Gallery, London.
Burgin, Victor et al. Difference: on Sexuality and Representation. 1987. The New Museum of Contemporary Art, New York; The Renaissance Society at the University of Chicago; Institute of Contemporary Arts, London.
Burgin, Victor et al. When Attitudes Became Form 1965-72. 1987. Le Nouveau Musée, Villeurbanne, France; Kettle's Yard, Cambridge; Fruitmarket Gallery, Edinburgh 1985, 1984-85.
Burgin, Victor et al. Conceptual-Antropologia-Graffiti. 1984. Scritti di Enrico Pedrini, Italy.
Burgin, Victor et al. 1984 A Preview. 1984. Ronald Feldman Gallery, New York.
Burgin, Victor et al. Comment. 1984. Long Beach Museum of Art, Long Beach.
Burgin, Victor et al. Photographic Image in Contemporary Art. 1984. National Museum of Modern Art, Tokyo, Japan.
Burgin, Victor et al. Photo (Graphic) Vision. 1982. The Winchester Gallery, Winchester.
Burgin, Victor et al. In Malmo. 1981. Malmo Konsthall, Malmo.
Burgin, Victor et al. British Sculpture in the Twentieth Century. 1981. Whitechapel Art Gallery, London
Burgin, Victor et al. Ils se disent…. . 1981. Musee d'Art Moderne de la Ville de Paris.
Burgin, Victor et al. Artist and Camera. 1981. travelling exhibition organized by the Arts Council of Great Britain.
Burgin, Victor et al. Europe '80. 1980. Espace Lyonnais de l'Art Contemporain, Lyon.
Burgin, Victor et al. Das Bild einer Geschichte 1956-76: Die Sammlung Panza de Biumo. 1980. Kunstsammlung Nordrhein-Wesfalen, Kunstmuseum and Kunsthall, Dusseldorf.
Burgin, Victor et al. Kunst in Europa na '68. 1980. Museum van Hedendaagse Kunst, Ghent.
Burgin, Victor et al. Kunst im Sozialen Kontext. 1980. Badische Kunstverein, Karlsruhe.
Burgin, Victor et al. Foto Text. 1980. Museum Folkwang, Essen.
Burgin, Victor et al. The Third Biennale of Sydney. 1980. The Art Gallery of New South Wales, Sydney.
Burgin, Victor et al. Three Perspectives on Photography. 1980. Hayward Gallery, London.
Burgin, Victor et al. Hayward Annual 1979. 1979. Hayward Gallery, London.
Burgin, Victor et al. Un Certain Art Anglais. 1979. ARC, Musée d'Art Moderne de la Ville de Paris; Palais des Beaux-Art, Brussels.
Burgin, Victor et al. Languages. 1979. selected by Rudi Fuchs for the Arts Council of Great Britain.
Burgin, Victor et al. Jeunes Peintre 2. 1979. Palais des Beaux-Arts, Brussels.
Burgin, Victor et al. Cinq Jeunes Artistes. 1977. Galerie Divergence, Metz; traveled to Maison de la Culture, Bourges.
Burgin, Victor et al. Discussions. 1977. New York University, New York.
Burgin, Victor, Michael Compton, Howard Hodgkin, and William Turnbull (Organization). Hayward Annual (part II). 1977. Hayward Gallery, London.
Burgin, Victor et al. Europe in the Seventies' Aspects of Recent Art. 1977. Art Institute of Chicago; traveled to Hirshhorn Museum and Sculpture Garden, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Fort Worth Art Museum, Fort Worth; Contemporary Arts Center, Cincinnati.
Burgin, Victor et al. Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner. 1976. Palais des Beaux-Arts, Brussels.
Burgin, Victor et al. Contextual Art. 1976. Centre for Experimental Art and Communication, Toronto.
Burgin, Victor et al. York Festival. 1976. organized by Robert Self, Chapel Gallery, York.
Burgin, Victor et al. Arte Inglese Oggi 1960-1976. 1976. Palazzo Reale, Milan.
Burgin, Victor et al. Foto & Idea. 1976. Galleria Comunale d'Arte Moderna, Parma.
Burgin, Victor et al. Victor Burgin/Art and Language. 1975. Musée d'Art et d'Industrie, Saint-Etienne.
Burgin, Victor et al. Art Fair. 1975. Mall Galleries, London.
Burgin, Victor et al. Art as Thought Process. 1975. Serpentine Gallery, London.
Burgin, Victor et al. Conceptual Art. 1975. Nordjyllands Kunstmuseum, Adborg.
Burgin, Victor et al. Beyond Painting and Sculpture: Works bought for the Arts Council by Richard Cork. 1974. Leeds City Art Gallery, Leeds; traveled to Walker Art Gallery, Liverpool, and Arnolfini Gallery, Bristol.
Burgin, Victor et al. Carl Andre/Marcel Broodthaers/Daniel Buren/Victor Burgin/Gilbert & George/On Kawara/Richard Long/Gerhard Richter. 1974. Palais des Beaux-Arts, Brussels.
Burgin, Victor et al. Kunst-Uber-Kunst. 1974. Kolnischer Kunstverein, Cologne.
Burgin, Victor et al. 13 'Projekt '74' Artists. 1974 .Paul Maentz, Cologne.
Burgin, Victor et al, Michael Compton (Organization for the British Arts Council).Art as Thought Process. 1974. Beecroft Art Gallery, Southend on Sea; traveled to Huddersfield Art Gallery, Huddersfield; Kettering Art Gallery; Grundy Art Gallery, Blackpool; Herbert Art Gallery, Coventry; Dartington College, Totnes.
Burgin, Victor et al. Projekt '74: Kunstbleibt Kunst. 1974. Kunsthalle, Wallraf-Richartz Museum, Kunst und Museums -bibliothek, Kolnischen Kunstverein, Cologne.
Burgin, Victor et al. Art and Politics. 1974. Gallerie, Bochum.
Burgin, Victor et al. 23 Directions, 23 Photographers. 1974. Walker Art Gallery, Liverpool.
Burgin, Victor et al. Henry Moore to Gilbert and George. 1973. Palais des Beaux-Arts, Brussels.
Burgin, Victor et al. 1973. Modern British Art for the Tate Gallery, London.
Burgin, Victor et al. Idee und Material. 1973. Progressive Museum, Basel.
Burgin, Victor et al. Contemporanea. 1973. Parcheggio di Villa Borghese, Rome.
Burgin, Victor et al. Konzept-Kunst. 1972. Kunstmuseum, Basel.
Burgin, Victor et al. 36 Biennale de Venezia. 1972. Venice.
Burgin, Victor et al. Documenta 5. 1972. Museum Fredericianum and Neue Galerie, Kassel.
Burgin, Victor et al. The New Art. 1972. Hayward Gallery, London.
Burgin, Victor et al. Guggenheim International Exhibition. 1971. Solomon R. Guggenheim Museum, New York.
Burgin, Victor et al. The British Avant-Garde. 1971. The New York Cultural Center, New York.
Burgin, Victor et al. XI Bienal de Sao Paolo Road Show: New English Inquiry. 1971. Sao Paolo.
Burgin, Victor et al. Prospect 71. 1971. Kunsthalle, Dusseldorf.
Burgin, Victor et al. At the Moment. 1971. Kunsthalle, Sagreb.
Burgin, Victor et al. In Another Moment. 1971. SKC, Belgrade.
Burgin, Victor et al. Art Conceptual. 1971. Galleria Daniel Templon, Milan.
Burgin, Victor et al. Biennale de Paris. 1971. Musée d'Art Moderne de la Ville de Paris.
Burgin, Victor et al. String and Rope. 1970. Sidney Janis Gallery, New York.
Burgin, Victor et al. Art in the Mind. 1970. Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio.
Burgin, Victor et al. Idea Structures. 1970. Camden Arts Center, London.
Burgin, Victor et al. July/August Exhibition. 1970. Studio International, London.
Burgin, Victor et al. Information. 1970. The Museum of Modern Art, New York.
Burgin, Victor et al. Arte de Sistemas. 1970. Centro de Arte y Communicacion, Buenos Aires.
Burgin, Victor et al. Concept-Theorie. 1970. Galerie Daniel Templon, Paris.
Burgin, Victor et al. When Attitudes Become Form/Works-Concepts-Processes-Situations-Informations. 1969. Kunsthalle, Bern, and the Institute of Contemporary Art, London.
Burgin, Victor et al, Lucy Lippard (Organization). 557,087. 1969. Seattle Art Musuem, Seattle; traveled to Vancouver Art Gallery, British Columbia as 995,000 and to Centro de Arte y Communicacion, Buenos Aires as 2,972,453.
Burgin, Victor et al. Konzeption-Conception. 1969. Scholoss Morsbroich, Stadtischen Museum, Leverkusen.
Burgin, Victor et al. British Painting. 1967. British Pavilion, Expo '67, Montreal.
Burgin, Victor et al. British Painting from the Leicestershire Collection. 1967. Whitechapel Art Gallery, London.
Burgin, Victor et al. Four Young Artists. 1965. Institute of Contemporary Arts, London.
Remark: The information presented on this website does not represent an offer to buy or sell anything, it is intended for educational purposes only. The European Graduate School is evaluating an Associate status with Amazon.com. Although it is advisable to use the aforementioned material for reading assigments and class studies, there are other publishers, editions and sources that might serve the same purpose.
Privacy Statement: The European Graduate School will not sell, lease or distribute any information, user names, addresses or any other information deemed private. The European Graduate School believes in users personal privacy and will not violate that trust.
| |
|
