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Francastel, Pierre, Bois, Yve-Alain. Roy Lichtenstein: Perfect/Imperfect. Exhibition catalogue. Gagosian Gallery. Los Angeles, October-November 2002, pp. 9-20.
Bois, Yve-Alain. The Undertow. In Robert Ryman. Exhibition catalogue. Pace Gallery. New York, October-November 2002, pp. 6-9.
Bois, Yve-Alain. Pichenette. In Ellsworth Kelly: Tablet 1948-1973. Exhibition catalogue. The Drawing Center. New York; Musée Cantonal des Beaux-Arts. Lausanne, 2002, pp. 198-205.
Bois, Yve-Alain. The Falling Trapeze. In Curtis L. Carter, Karen K. Butler (eds). Jean Fautrier. Yale University Press. New Haven, London, 2002, pp. 57-61.
Bois, Yve-Alain. A certain infantile thing. In Audible Silence: Cy Twombly at Daros. Daros Collection. Zurich, 2002, pp. 71-72, Hardcover, ISBN: 3908247659. Buy it at Amazon.de or Amazon.co.uk.
Bois, Yve-Alain. Some Latin Americans in Paris. In Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection. Harvard University Art Museums. Cambridge; Yale University Press, New Haven, 2001, 300 pages, pp. 77-103, Hardcover, ISBN: 0300089902. Buy it at Amazon.com, Amazon.co.uk or Amazon.fr.
Bois, Yve-Alain. Matisse et Picasso. Flammarion. Paris, 1999, 271 pages, Hardcover, ISBN: 2080124943. Buy it at Amazon.fr.
Bois, Yve-Alain. Kelly's Trouvailles: Findings in France. In Ellsworth Kelly: The Early Drawings 1948-1955. Exhibition catalogue. Fogg Art Museum/Richter Verlag. Bonn; University of Chicago Press. Chicago, 1999, 264 pages, pp. 12-35, Hardcover, ISBN: 3928762990/1891771078. Buy it at Amazon.de, Amazon.co.uk, or Amazon.fr. Paperback, ISBN: 1891771094. Buy it at Amazon.co.uk.
Bois, Yve-Alain. 'Der liebe Gott steckt im Detail': Reading Twombly; Ryman's Lab. In Peter Fischer (ed). Abstraction, Gesture, Ecriture. Alesco. Zurich; Scalo Publishers. New York, 1999, 220 pages, pp. 61-78; 105-121, Hardcover, ISBN: 3908247993. Buy it at Amazon.com, Amazon.de, Amazon.co.uk or Amazon.fr.
Bois, Yve-Alain. Rauschenberg's Optimism. In Robert Rauschenberg: Fotografie 1949-1985. Exhibition catalogue. Galleria Lawrence Rubin. Milan, 1999, pp. 7-8.
Bois, Yve-Alain. Matisse and Picasso. Flammarion International. Paris, 1998, 272 pages, Paperback, ISBN: 208010618X. Buy it at Amazon.com or Amazon.fr.
Bois, Yve-Alain. Better Late Than Never. In Rendezvous. Guggenheim Museum. New York, 1998, 550 pages, pp. 40-47, Hardcover, ISBN: 0810969165. Buy it at Amazon.com, Amazon.co.uk or Amazon.fr. 709 pages, Paperback, ISBN: 089207213X. Buy it at Amazon.com.
Bois, Yve-Alain, Rosalind Krauss, et al (eds). October: The Second Decade, 1986-1996. October Books. The MIT Press. Cambridge, 1998, 408 pages, Hardcover, ISBN: 0262112264. Buy it at Amazon.com or Amazon.co.uk.
Bois, Yve-Alain. Matisse's Bathers with a Turtle. In The Saint Louis Art Museum Bulletin XXII/3. 1998, pp. 8-19.
French translation in Cahiers du Musée National d'Art Moderne 65. 1998, pp. 22-37.
Bois, Yve-Alain. Formless: A User's Guide. Zone Books. New York, 1997, 296 pages, Hardcover, ISBN: 0942299434. Buy it at Amazon.com, Amazon.co.uk or Amazon.fr. 304 pages, Paperback, ISBN: 0942299442. Buy it at Amazon.com, Amazon.co.uk or Amazon.fr.
Bois, Yve-Alain (Preface), Claude Duthuit (ed). Henri Matisse: l'Oeuvre Sculpté (catalogue raisonné). Exhibition catalogue. Paris, 1997, pp. XI-XXII.
Bois, Yve-Alain. The Pandora's Box of Gravity. In Horizontality versus Verticality. Exhibition catalogue. The National Museum of Art. Osaka, 1997, pp. 194-199.
Bois, Yve-Alain. Cubistic, Cubic, Cubist. In Nancy Troy, Eve Blau (eds). Architecture and Cubism. Canadian Center for Architecture. Montr&eaute;al, 1997, pp. 187-194.
Bois, Yve-Alain. L'écart: théorie et pratique cézanniennes. In Françoise Cachin, Henri Loyrette and Stéphane Guégan (eds). Cézanne aujourd'hui. Musée d'Orsay. Paris, 1997, pp. 87-94.
English translation in October 84. 1998.
Bois, Yve-Alain, Rosalind Krauss. L'informe, mode d'emploi. Editions du Centre Georges Pompidou. Paris, 1996.
Bois, Yve-Alain. Barnett Newman's Sublime = Tragedy. In Negociating Rapture. Exhibition catalogue. Museum of Contemporary Art. Chicago, 1996, pp. 138-139.
Bois, Yve-Alain. As Long As We'll Be Men. In Modernism and Classicism in Art and Music Between 1914 and 1945. Exhibition catalogue. Kunstmuseum. Basel, 1996, pp. 374-381.
Bois, Yve-Alain. Sophie Taeuber-Arp. In Inside the Visible. Exhibition catalogue. Institute of Contemporary Art. Boston, 1996, pp. 413-417.
Bois, Yve-Alain. Whose Formalism? Art Bulletin. March 1996, pp. 9-12.
Bois, Yve-Alain. The Shift. In Matisse. Exhibition catalogue. Queensland Art Gallery. Brisbane; National Gallery of Australia. Canberra; National Gallery of Victoria. Melbourne, 1995, pp. 96-109.
Bois, Yve-Alain. The Measurement Pieces: From Index to Implex. In Mel Bochner: Thought Made Visible 1966-1973. Yale University Art Gallery. New Haven, 1995, pp. 167-177.
Bois, Yve-Alain. The Summons. In Ellsworth Kelly: Spencertown. Exhibition catalogue. Anthony d'Offay Gallery. London; Matthew Marks Gallery. New York, 1994, pp. 35-50.
Bois, Yve-Alain. The Iconoclast. In Angelica Rudenstine (ed). Piet Mondrian. Leonardo Arte and Gemeentemuseum. The Hague; The National Gallery of Art. Washington; The Museum of Modern Art. New York, 1994, pp. 313-372.
Bois, Yve-Alain. Surfaces. In Jean-François Bédard (ed). Peter Eisenman: Cities of Artificial Excavations. Canadian Center for Architecture. Montréal, 1994, pp. 38-45.
Bois, Yve-Alain. Marden's Doubt. In Brice Marden: Paintings 1985-1993. Catalogue Kunsthalle Bern and Wiener Secession, 1993-1994, pp. 12-66.
Bois, Yve-Alain. Martin Barré. Flammarion. Paris, 1993, 190 pages, Paperback, ISBN: 2080121677. Buy it at Amazon.fr.
Bois, Yve-Alain. Thermometers Last Forever. Ed Ruscha: Romance with Liquids. Exhibition catalogue. Gagosian Gallery, Rizzoli. New York, 1993.
French translation in Cahiers du Musée National d'Art Moderne 50. Winter 1994, pp. 57-73.
Bois, Yve-Alain. L'aveuglement. Henri Matisse: 1904-1917. Exhibition catalogue. Centre Georges Pompidou. Paris, 1993.
Bois, Yve-Alain. On Matisse: The Blinding. October 68. Spring 1994, pp. 61-121.
Bois, Yve-Alain. Keep Out: Construction Work. In Claudia Gould (ed). Kawamata Project Roosevelt Island. On the Table. Tokyo, 1993, pp. 63-72.
Bois, Yve-Alain. Die Wandlung. In Veit Loers (ed). Shapes and Positions. Exhibition catalogue. Ritter and Museum Fridericianum. Klangendurt, Kassel, 1992, pp. 33-51.
Bois, Yve-Alain. L'épingle. Bonnefoi: La strategie du tableau. Melgar Ediciones. Madrid, 1992.
Bois, Yve-Alain. Vertical/horizontal, peinture/sculpture. In Artstudio 24. Spring 1992, pp. 52-71.
Bois, Yve-Alain. Lygia Clark; Mathias Goeritz. In America: Bride of the Sun. Exhibition catalogue. Royal Museum of Art. Anvers, 1992, pp. 355-357; 386-388.
Bois, Yve-Alain. The Semiology of Cubism. In Picasso and Braque: A Symposium. Museum of Modern Art. New York, 1992, pp. 169-208.
Bois, Yve-Alain. Kelly en France ou l'anti-composition dans ses divers états. In Ellsworth Kelly: Les ann.es françaises. Exhibition catalogue. Galeries du Jeu de Paume. Paris, March 1992, 211 pages, pp. 11-36, Paperback, ISBN: 2908901080. Buy it at Amazon.fr.
English translation in Ellsworth Kelly: The French Years. National Gallery. Washington, November 1992, pp. 9-36..
Bois, Yve-Alain. Contre l'image. In Sophie Calle. Exhibition catalogue. Musée d'Art Moderne de la Ville de Paris. July 1992.
Bois, Yve-Alain. L'inflexion. In Donald Judd. Exhibition catalogue. Galerie Lelong. Paris, October 1991.
Bois, Yve-Alain. The Inflection. Don Judd. Exhibition catalogue. Pace Gallery. New York, September 1991.
Bois, Yve-Alain. The Limit of Almost. Ad Reinhardt. Exhibition catalogue. Museum of Modern Art. New York, 1991.
Bois, Yve-Alain. Ad Reinhardt: Abstract Painting. Art Press 158. May 1991, pp. 12-13.
Bois, Yve-Alain. Changement de décor. In Extra Muros: Art Suisse Contemporain. Musées des Beaux Arts. La Chaux de Fonds; Mus.e Cantonal des Beaux Arts Lausanne; Mus.e d'Art et d'Histoire. Neuchâtel, 1991, pp.49-74.
Bois, Yve-Alain. Lissitzky, Mondrian, Strzeminksi: Abstraction and Political Utopia in the Twenties. In Cadences: Icon and Abstraction in Context. The New Museum. New York, 1991, pp.81-105.
Bois, Yve-Alain. Resisting Blackmail: The Task of Art History. The Journal of Art 4/2. February 1991, p. 65.
Bois, Yve-Alain. Surprise and Equanimity. Robert Ryman. Exhibition catalogue. Pace Gallery New York, April 1990.
Bois, Yve-Alain. Painting as Model. October Books. The MIT Press. Cambridge, 1990, Paperback, ISBN: 0262521806. Buy it at Amazon.co.uk or Amazon.fr.
Bois, Yve-Alain. From minus infinity to plus infinity: Axonometry, or Lissitzky's mathematical paradigm. In El Lissitzky: architect, painter, photographer, typographer. Van Abbemuseum. Eindhoven, 1990, pp. 27-33.
French translation in El Lissitzky: architecte, peintre, photographe, typographe. Revised version. Musée d'Art Moderne de la Ville de Paris. Paris, 1991, pp. 27-37.
Bois, Yve-Alain. Jackson Pollock. Encyclopaedia Universalis. 1990, pp. 570-572.
Bois, Yve-Alain. Descriptions, Situations and Echoes: On Richard Serra's Drawings. In Hans Janssen (ed). Richard Serra: Drawings Zeichnungen 1969-1990. Bonnefantenmuseum, Maastricht, and Benteli Verlag. Bern, 1990, pp. 17-30.
Bois, Yve-Alain. Presentation of the French translation of W. Benjamin, "Malerei und Graphik" and "Über die Malerei oder Zeichen und Mal. La part de l'oeil 6. 1990, pp. 10-12.
Bois, Yve-Alain. Susan Smith's Archeology. Exhibition catalogue. Margarete Roeder Gallery. New York, 1989.
In Stephen Bann, William Allen (eds). Interpreting Contemporary Art. Reaktion Books. London, 1991, pp. 102-123.
Bois, Yve-Alain. French Lib. In Denis Hollier (ed). A New History of French Literature. Harvard University Press. Cambridge, 1989, pp. 1040-1045.
Bois, Yve-Alain. Presentation of the text by S.M.E. Eisenstein, "Montage and architecture." Assemblage 10. 1989, pp. 111-115.
Bois, Yve-Alain. Exposition: esthétique de la distraction, esthétique de la démonstration. Cahiers du Musée National d'Art Moderne 29. Fall 1989, pp. 57-79.
Italian translation in Rivista di estetica. "The museum." Anno XLI, no. 16. 2001, pp. 113-134.
Bois, Yve-Alain. L'inachèvement. In Martin Barré. Exhibition catalogue. Musée des Beaux-Arts. Nantes; Musée des Beaux Arts. Tourcoing; Galerie des Ponchettes et Galerie d'Art Contemporain. Nice, 1989, pp. 71-80.
Bois, Yve-Alain. La leçon de i 10. In i 10 et son époque. Exhibition catalogue. Institut Néerlandais. Paris, March 1989, pp. 7-13.
Bois, Yve-Alain. Fontana scatologue. Critique 502. March 1989, pp. 154-168.
English translation in Art in America. April 1989, pp. 238-248, 279.
Bois, Yve-Alain.. Perceiving Newman. Barnett Newman. Exhibition catalogue. Pace Gallery. New York, April 1988, pp. I-XIII.
Bois, Yve-Alain. Painting as Trauma. Art in America. June 1988, pp. 130-140, 172-173.
French translation in Critique 497. October 1988, pp. 834-857.
Bois, Yve-Alain. El Lissitzky: Radical Reversibility. Art in America. April 1988, pp. 161-181.
German translation in Hubertus Gassner (ed). Die Konstruktion der Utopie. Revised version. Documenta Archiv and Jonas Verlag. Kassel, 1992, pp. 31-47.
Bois, Yve-Alain. Piet Mondrian. Encyclopaedia Universalis Vol. 12. 1988, pp. 522-525.
Bois, Yve-Alain. Mondrian: le néo-plasticisme. La part de l'oeil 4. 1988, pp. 183-189.
Bois, Yve-Alain. Historisation ou intention: le retour d'un vieux débat. Cahiers du Musée National d'Art Moderne 22. December 1987, pp. 57-69.
Portuguese translation in Gavea 6. Rio de Janeiro, December 1988.
Bois, Yve-Alain. Kahnweiler's Lesson. Representations. Spring 1987, pp. 33-68.
French translation in Cahiers du Musée National d'Art Moderne 23. Revised version. Spring 1988, pp. 29-56.
Bois, Yve-Alain. The Antidote, (on Hans Haacke). October. Winter 1986, pp. 129-144.
French translation in Plus 3-4. May 1988, pp. 23-30.
Bois, Yve-Alain. Painting: the task of Mourning. In Endgame. Exhibition catalogue. ICA. Boston, 1986, pp. 29-49.
In Painting at the Edge of the World. Exhibition catalogue. Walker Art Center. Minneapolis, 2001, pp. 28-45.
French translation in L'amour de l'art. Exhibition catogue. Biennale de Lyon. September 1991, pp. 32-39.
Bois, Yve-Alain, Nancy Troy. De Stijl et l'architecture à Paris. In idem. pp. 25-90.
Bois, Yve-Alain, Bruno Reichlin (eds). De Stijl et L'architecture en France. Mardaga. Brussels, 1985.
Bois, Yve-Alain, Bruno Reichlin (Introduction). Programme. De Stijl et l'architecture en France. Exhibition catalogue. Mardaga. Bruxelles, 1985, pp. 7-20.
Bois, Yve-Alain. Program. Daidalos 15. March 1985, Berlin, pp. 14-15.
Bois, Yve-Alain. New York City I, 1942 de Piet Mondrian. Cahiers du Musée National d'Art Moderne 15. March 1985, pp. 60-85.
English translation in Critical Inquiry 14/2. Revised version, Winter 1988, pp. 244-277.
Bois, Yve-Alain. Modernisme et postmodernisme. Encyclopaedia Universalis. "Symposium." Spring 1985. pp. 187-196.
Bois, Yve-Alain. Modernisme et postmodernisme. Encyclopaedia Universalis. Revised edition, 1990, pp. 473-490.
Bois, Yve-Alain. Arthur Lehning en Mondrian--Hun Vriendshap en correspondentie. Van Gennep. Amsterdam, 1984.
Bois, Yve-Alain. The meteorite in the garden, (on Richard Serra). Art in America. Summer 1984, pp. 108-113.
Bois, Yve-Alain. Strzeminski et Kobro: en quête de la motivation. Critique 440-441. January-February 1984, pp. 70-94.
Polish translation in J. Zagrodzki (ed). In memoriam Wladyslaw Strzeminksi. Sztuka Polska. Lotz, 1988, pp. 56-80.
German translation in Katarzyna Kobro. Abteilberg Museum and Edition Wienand. Mönchengladbach and Cologne, 1991, pp. 13-34.
Bois, Yve-Alain. Promenade pittoresque autour de Clara-Clara. Richard Serra. Exhibition catalogue. Centre Georges Pompidou. Paris, October-December 1983, pp. 11-27.
English translation in October 29. Summer 1984, pp. 33-62.
In E-G. Güse (ed). Richard Serra. Rizzoli. New York, 1988, pp. 40-59.
In U. Jehle-Schulte Strathaus and Bruno Reichlin (eds). Das architecktonische Urteil. Birkhäuser Verlag. Basel, 1989, pp. 81-115. Croatian translation in M'ARS II/3. 1990, pp. 27-39.
Spanish translation in Richard Serra. Reina Sofia. Madrid, February 1992.
English translation in Hal Foster (ed). Richard Serra. October File. The MIT Press. Cambridge, 2000, pp. 59-96.
Bois, Yve-Alain. Zur Definition des De Stijl. Werk, Bauen and Wohnen 7-8. Zurich, July 1983, pp. 45-51.
French translation in Encyclopaedia Universalis. Paris, 1984, pp. 230-235.
In Yve-Alain Bois, Reichlin (eds). De Stijl et l'architecture en France. Mardaga. Bruxelles, 1985, pp. 11-16.
Bois, Yve-Alain. De Stijl. Actualité des Arts Plastiques. 60. Centre National de la Documentation Pédagogique. Paris, December 1983, 78 pages.
Bois, Yve-Alain. Mondrian en France, sa collaboration à Vouloir, sa correspondance avec Del Marle. Bulletin de la Société de l'Histoire de l'Art Francais Année 1981. 1983, pp. 281-298.
Bois, Yve-Alain. De Stijl in Paris. De Stijl. Exhibition catalogue. Gemeentemuseum. The Hague, March 1983, pp. 101-127.
Bois, Yve-Alain (ed). L'Atelier de Mondrian. Macula. Paris, 1982.
Bois, Yve-Alain. Roland Barthes: écrivain, artisan, narrateur. Critique 423-424. August-September 1982, pp. 655-662.
English translation in October 26. Fall 1983, pp. 27-33.
Bois, Yve-Alain. Mondrian et la théorie de l'architecture. Revue de l'Art. Winter 1981, pp. 39-52.
English translation in Assemblage 4. October 1987, pp. 103-130.
Bois, Yve-Alain. Pierre Francastel. Architectural Design 51/6-7. 1981, pp. 58-60.
English translation in Pierre Francastel. Art and Technology in the Nineteenth and Twentieth Century. Zone Books. New York, 2000, pp. 7-15, Hardcover, ISBN: 1890951021. Buy it at Amazon.com or Amazon.fr.
Bois, Yve-Alain. A propos du "double bind": trois questions à Christian Bonnefoi. Critique 408. May 1981, pp. 546-554.
Bois, Yve-Alain. Metamorphosen der Axonometrie. Daidalos 1. September 1981, pp. 40-58.
English translation in De Stijl. Exhibition catalogue. Gemeentemuseum. The Hague, March 1983, pp. 146-161.
French translation in Images et imaginaires d'architecture. Exhibiton catalogue. Centre Pompidou. Paris, March 1984, pp. 129-134.
Bois, Yve-Alain. Le tact de Ryman. Preface of the Robert Ryman exhibition catalogue. Centre Georges Pompidou. Paris, November 1981.
Dutch translation in Museumjournaal 6. 1981.
English translation in October 19. Winter 1981, pp. 93-104.
Bois, Yve-Alain, Hubert Damish (eds). Modern' Signe. CORDA. Paris, 1979.
Bois, Yve-Alain (ed). Architecture/Arts Plastiques. CORDA. Paris, 1979.
Bois, Yve-Alain. Crases. Macula 5/6. Fall 1979, pp. 235-248.
Bois, Yve-Alain. Le futur antérieur. Macula 5/6. Fall 1979, pp. 229-233.
Bois, Yve-Alain. Opacités de la sculpture. Critique 381. February, 1979, pp. 183-214.
English translation in Sub-Stance 31. Winter 1981, pp. 23-48.
Bois, Yve-Alain. Tafuri dans le labyrinthe. Macula 3/4. Summer 1978, pp. 202-206.
English translation in Oppositions 11. Winter 1977, pp. 118-123.
Bois, Yve-Alain. Lissitzky censeur de Malevitch. Macula 3/4. Summer 1978, pp. 191-201.
Bois, Yve-Alain. Lissitzky, Malevitch, et la question de l'espace. In Suprématisme. Exhibition catalogue. Galerie Jean Chauvelin. Paris, October 1977, pp. 29-46.
Bois, Yve-Alain. Presentation of the texts by Clement Greenberg on Pollock and of letters of Mondrian, Vantongerloo, Max Bill and all to Jean Gorin. Macula 2. Spring 1977, pp. 35-56, 117-139.
Bois, Yve-Alain. L'arbre et le carré. Critique 357. February 1977, pp. 435-466.
Bois, Yve-Alain. Qu'est-ce-que le marché de l'art. In Marie Leroy Le phénomène Beaubourg. Syros. Paris, 1977, pp. 95-111.
Bois, Yve-Alain. El L, didactiques de lecture. Soviet Union. Pittsburgh University. November 1976, pp. 233-250.
English translation in October 11. Winter 1979, pp. 113-128.
In Avant-Guerre 2. Saint Etienne. Spring 1981, pp. 57-68.
Bois, Yve-Alain. L'unisme de W. Strzeminski. Macula 1. August 1976, pp. 14-15.
Bois, Yve-Alain. Picabia, de Dada à Pétain. Macula 1. August 1976, pp. 122-123.
English translation in October 30. Fall 1984, pp. 121-127.
Bois, Yve-Alain. Francis Picabia. Flammarion. Paris, 1975.
Bois, Yve-Alain. Against Functionalism.s
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