Note: Please be advised that all seminars, colloquia and workshops of EGS are conducted at the Campus in Saas-Fee, Wallis, Switzerland.

May – June
1st Group: 1st Year
New Media & Internet

FREEDOM AND CONTROL: NETWORK THEORY (3 credits)
Investigates the clash between freedom and control in cyberspace and evaluates the liberating impact of the Internet for media, art, and culture.
Hendrik Speck with Vaidhyanathan Siva

MEDIA HISTORY AND STRATEGIES (3 credits)
Explores the history of communication media media, focusing on technological innovations and forms a new understanding of the algorithmic infrastructure of the Internet, and its political, military, economic, and cultural impact.
Friedrich Kittler

CYBEROCRACY: TOMORROW NOW (3 credits)
An intensive dialogue with a prolific writer and one of the leading web theorists, focusing on recent developments in cyberspace and exploring futurist options..
Bruce Sterling

ZERO COMMENTS AND THE BLOGOSPHERE (3 credits)
Provides an overview of the blogosphere, distributed aesthetics, social interaction, web design, and the creative process.
Geert Lovink

SOFTWARE STUDIES (3 credits)
Explores emerging work in sofware studies around the world and researches new ways of using software and cyberinfrastructure for cultural research.
Lev Manovich

TECHNOLOGIES OF THE BODY (3 credits)
Reviews prior and current work in theory and practices of the political economy of the body in dialogue with technology, nature, art, and the collapse of those categories into the disruptive and oppositional construct we will call the technobody.
Allucquére Rosanne Stone

RESEARCH METHODS (1 credit workshop)
Introduction to basic research styles such as phenomenology, hermeneutics, dialectics, deconstruction in preparation for EGS dissertation projects.
Wolfgang Schirmacher

ELECTIVE SEMINARS:

WORKSHOP WITH PAUL VIRILIO (2 credits)
An in-depth discussion with the philosopher of technology and political theorist who is one of the most influential critics of contemporary life. Moderated by Hubertus von Amelunxen — a French-English workshop for enrolled students and graduates.
Paul Virilio | Hubertus von Amelunxen

CREATIVE WRITING WORKSHOP (1 credit)
From scriptwriting and novels to philosophical prose and poetry, diverse forms of language needed for media are presented and discussed.
Shelley Jackson

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

1st Group: 2nd Year
Philosophy & Art & Psychoanalysis

HAUNTED THOUGHT AND ART (3 credits)
A critical analysis of the accidental structure and underworld happening involved in literature, performance and video art. An invited artist demonstrates the transformative processes involved.
Larry Rickels with Diana Thater

ART, PSYCHOANALYSIS, PHILOSOPHY: THE MATRIXIAL BORDERSPACE (3 credits)
Aesthetic practice as rethinking ethics, in a feminist dialogue with Levinas, Lyotard, Lacan, Deleuze and Guattari; enabling a dimension of emergence which underlies trauma, memory, representation and post-Lacanian subjectivity.
Bracha Ettinger

JEAN BAUDRILLARD (3 credits)
A tribute to the EGS faculty member who recently passed away: An examination of Baudrillard's philosophical legacy and his impact on the critique of contemporary culture.
Sylvere Lotringer

MEDIA CULTURE & ARTIFICIAL LIFE (3 credits)
Explores media culture as post-technological event (ereignis), a demonstration for art of living authentically (geviert), ethical dasein beyond metaphysics (gelassenheit).
Wolfgang Schirmacher

JEAN-FRANCOIS LYOTARD: HESITATING THOUGHT (3 credits)
An introduction to select major works by Lyotard, with a focus on the status of little narratives (vs. the grand narrative) and of the pagus (vs. differend).
Victor J. Vitanza

PERFORMATIVE PHILOSOPHY (3 credits)
Presents her own video work, film, writing, and performance art as phenomenological revealing of abjection, wild objects, and chance events.
Chris Kraus

MA COLLOQUIUM (1 credit workshop)
A one-to-one meeting in which a student presents her/his Master thesis project for immediate feed-back and constructive advice.
Wolfgang Schirmacher

ELECTIVE SEMINARS:

WORKSHOP WITH PAUL VIRILIO (2 credits)
An in-depth discussion with the philosopher of technology and political theorist who is one of the most influential critics of contemporary life. Moderated by Hubertus von Amelunxen — a French-English workshop for enrolled students and graduates.
Paul Virilio | Hubertus von Amelunxen

CREATIVE WRITING WORKSHOP (1 credit)
From scriptwriting and novels to philosophical prose and poetry, diverse forms of language needed for media are presented and discussed.
Shelley Jackson

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

2nd Group: 1st Year
Film & Philosophy

FROM SCRIPT TO SCREEN (3 credits)
The dynamics of form and space emerge from rich, dense and humorous details — an exercise in cinematic poetry. How the written word transforms into moving images evoking an aesthetics of the Minimal.
Pierre Alferi

GILLES DELEUZE: SCIENCE & HISTORY (3 credits)
Introduces Deleuze by using examples are from economic, linguistic, military history s well as physics, mathematics, and biology. The virtuality-actuality of a realistic ontology and a materialistic ethics is explored.
Manuel DeLanda

LITERARY CINEMA (3 credits)
Demonstrating the transformation of literary texts — of authors diverse as Günther Grass, Heinrich Böll, Marcel Proust, Michel Tournier, Margaret Atkins — into cinematic art.
Volker Schlöndorff

NIETZSCHE AND 20th CENTURY THOUGHT (3 credits)
Examines how aesthetics, epistemology, communication, and ethics have been radically changed by Nietzsche's critique of the unity of the subject, the representational logic of language, and the metaphysics of truth.
Fred Ulfers

CINEMA AS CULTURAL ANTHROPOLOGY (3 credits)
Examines contemporary filmmaking as exploration into multi-ethnic and cross-cultural environments, with the cool passion and distanced engagement of an anthropologist.
Claire Denis

MEDIA AND THE UNCANNY (3 credits)
Explores the philosophical concept of the uncanny as it bears on the media by reading Freud, Heidegger, and Derrida.
Samuel Weber

RESEARCH METHODS (1 credit workshop)
Introduction to basic research styles such as phenomenology, hermeneutics, dialectics, deconstruction in preparation for EGS dissertation projects.
Wolfgang Schirmacher

ELECTIVE SEMINARS:

WORKSHOP WITH PAUL VIRILIO (2 credits)
An in-depth discussion with the philosopher of technology and political theorist who is one of the most influential critics of contemporary life. Moderated by Hubertus von Amelunxen — a French-English workshop for enrolled students and graduates.
Paul Virilio | Hubertus von Amelunxen

CREATIVE WRITING WORKSHOP (1 credit)
From scriptwriting and novels to philosophical prose and poetry, diverse forms of language needed for media are presented and discussed.
Shelley Jackson

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

2nd Group: 2nd Year
Literature & Art & Philosophy

POETRY AND PHILOSOPHY (3 credits)
Explores nearness and distance between poetry and philosophy: Michel Foucault, Hans-Georg Gadamer, Jacques Derrida in dialogue with Paul Celan. Includes a workshop with a major German poet.
Martin Hielscher with Ian McEwan (final confirmation pending)

EXPERIMENTAL CINEMA (3 credits)
Recovering the missing histories of lesbians, bisexuals and gays in Western culture and addressing political as well as ethical-aesthetical challenges by pioneering an essay documentary style.
Barbara Hammer

MEDIA SOUNDS (3 credits)
Explores the clashes and resonances between multiple styles and cultural approaches to music—from classical composition to rap, hip-hop and avant-garde sound collage.
Michael Schmidt | DJ Spooky

PHILOSOPHY OF PHOTOGRAPHY & FILM (3 credits)
Explores issues of meaning and representation, the interface of photography, video, and film, and the terror of the body in digital space (with emphasis on Roland Barthes, Walter Benjamin and Vilem Flusser).
Hubertus von Amelunxen

ART, COMMUNITY AND FREEDOM (3 credits)
Deconstructs the body, the communitary experience as well as the notion of freedom within the context of art and literature, myth and Christianity.
Jean-Luc Nancy

ADVANCED MEDIA PHILOSOPHY (3 credits)
Jean-François Lyotard's thoughts on the sublime, Gilles Deleuze's rehabilitation of the Monad, Emmanuel Levinas' ethics of the Other, Avital Ronell's test drive are critically applied to a non-metaphysical media philosophy, a life technique of Homo generator.
Wolfgang Schirmacher

MA COLLOQUIUM (1 credit workshop)
Advice about the argumentative logic and academic form of MA theses; includes in-person meetings with MA proposal presentations and advisor's critique.
Wolfgang Schirmacher

ELECTIVE SEMINARS:

WORKSHOP WITH PAUL VIRILIO (2 credits)
An in-depth discussion with the philosopher of technology and political theorist who is one of the most influential critics of contemporary life. Moderated by Hubertus von Amelunxen — a French-English workshop for enrolled students and graduates.
Paul Virilio | Hubertus von Amelunxen

CREATIVE WRITING WORKSHOP (1 credit)
From scriptwriting and novels to philosophical prose and poetry, diverse forms of language needed for media are presented and discussed.
Shelley Jackson

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

August
First Group: 1st Year
Philosophy & Poetry & Film

JACQUES DERRIDA (3 credits)
A tribute to the EGS philosopher which presents and discusses deconstruction as well as the key issues of his work.
Diane Davis

POETRY AND PHILOSOPHY (3 credits)
The complex relationship between poetry and philosophy and the notion of poetry as a thought will be explored in a cordial dialogue with an internationally recognized poet. Alessandro de Francesco, Michel Deguy, Yang Lian, Jan Zwicky, Jacques Roubaud have participated previously.
Judith Balso

HEIDEGGER: PHILOSOPHY AND ART (3 credits)
Explores the future potential of one of Europe's most influential 20th century philosophers and addresses divergent practices of thought and art in post-Heideggerian thinkers.
Chris Fynsk

EXTERIORITY: BLANCHOT (3 credits)
Explores 'exteriority', the radical Other, in its un/relation to literature, history, and ethics through a close reading of Maurice Blanchot.
Werner Hamacher

AUDIOVISUAL HISTORY AND TECHNOCULTURE (3 credits)
Surveys the history of mediations through which ideas and visual representation have become a material force. It enables an archeology of hearing and seeing by technical means.
Siegfried Zielinski

CINEMA FOR THE NEW MILLENNIUM (3 credits)
A departure from the disenchantment with contemporary cinema which offers alternatives by considering a hybrid of cinematic art and new media environments. This approach simultaneously realizes a visual language independent of storytelling and identification.
Peter Greenaway

FOUNDATION IN MEDIA PHILOSOPHY (3-credit workshop)
Introduces and explores the critical differences as well as productive blending of Communication Theory and Continental Philosophy which culminates in 'Media Philosophy'.
Wolfgang Schirmacher

RESEARCH METHODS (1 credit workshop)
Introduction to basic research styles such as phenomenology, hermeneutics, dialectics, deconstruction in preparation for EGS dissertation projects.
Wolfgang Schirmacher

ELECTIVE SEMINAR:

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

ADVANCED PHOTOGRAPHY WORKSHOP (1 credit)
Photography as non-representational language will be demonstrated and explored. Students have the opportunity to discuss their own work with an renowed French photographer.
Suzanne Doppelt

First Group: 2nd Year
Philosophy & Psychoanalysis & Film

HOMO SACER (3 credits)
A questioning of how radical subjectivity and the coming community can contribute to a paradigm of human existence.
Giorgio Agamben

PHILOSOPHY, ETHICS, ART (3 credits)
In defense of systematic philosophy and in a critical dialogue with Gilles Deleuze basic issues such as the ethic of truths, politics, and art are rediscovered.
Alain Badiou

FINITUDE IN PHILOSOPHY, LITERATURE AND ART (3 credits)
Explores the finitude of language and the singularity of the ethical event in a culture of absence, disappearance, and escape in relation to memory, fiction, and the human.
Avital Ronell

MEDIA AESTHETICS (3 credits)
Lyotard's thoughts on the sublime, Deleuze's rehabilitation of the monad, and Levinas' ethics of the other contribute to the media aesthetics of Homo generator.
Wolfgang Schirmacher

MEDIA, POLITICS AND PSYCHOANALYSIS (3 credits)
Links key psychoanalytical and philosophical concepts to social phenomena such as pop culture and political fantasies; a Lacanian reading with emphasis on the metastases of enjoyment and imagination.
Slavoj Zizek

CINEMA OF RESISTANCE (3 credits)
The layered, irreverent and hilarious films of the Palestinian filmmaker articulate a poetics of resistance; his subversive-personal interventions avoid the myths of politics.
Elia Suleiman

MA COLLOQUIUM (1 credit workshop)
A one-to-one meeting in which a student presents her/his Master thesis project for immediate feed-back and constructive advice.
Wolfgang Schirmacher

ELECTIVE SEMINAR:

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

ADVANCED PHOTOGRAPHY WORKSHOP (1 credit)
Photography as non-representational language will be demonstrated and explored. Students have the opportunity to discuss their own work with an renowed French photographer.
Suzanne Doppelt

2nd Group: 1st Year
Philosophy & Art & Political Thought

POLITICAL ACTIVISM: MULTIPLICITY & EMPIRE (3 credits)
A Deleuzian approach to power and social change in the world of globalization. New networks of communication and control necessitate a radical shift in the basis of politics; the “Empire” manifesto as alternative political paradigm for a global society will be discussed.
Michael Hardt

MEDIA ART (3 credits)
Introduces Roland Barthes as well as contemporary art theories and provides a forum for a renowned artist to discuss the interdependencies of visual art with other media and film. Pierre Huyge, Sophie Calle, and Martha Rosler have been participants in this seminar.
Yve-Alain Bois

ETHICS AND POLITICS AFTER THE SUBJECT (3 credits)
Addresses theories of the subject and explores issues of gender politics, subversion of identity, power, ethical violence.
Judith Butler

POLITICS OF AESTHETICS (3 credits)
A rethinking of the relationship between art and politics and the peculiarity of the aesthetic experience as a form of life. Emphasis on modern cinema and the future of the image.
Jacques Ranciere

ANIMATED FILM (3 credits)
Animated objects and puppets come to life in the short films of the most ingenious and wildly creative film directors with a dark and ironic vision.
The Brothers Quay

GEOPOLITICS IN CINEMA (3 credits)
A rethinking of the planetary impact of media such as cinema as a challenge to political thought.
Michael J.Shapiro

RESEARCH METHODS (1 credit workshop)
Introduction to basic research styles such as phenomenology, hermeneutics, dialectics, deconstruction in preparation for EGS dissertation projects.
Wolfgang Schirmacher

ELECTIVE SEMINAR:

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

ADVANCED PHOTOGRAPHY WORKSHOP (1 credit)
Photography as non-representational language will be demonstrated and explored. Students have the opportunity to discuss their own work with an renowed French photographer.
Suzanne Doppelt

2nd Group: 2nd Year
Film & Art & Philosophy

FILM ART & CINEMATIC LANGUAGES (3 credits)
Approaches film as a discovery process in which alienation, absurdity, exploitation, isolation are conducive to the development of cinematic languages. The Canadian filmmaker emphasizes the philosophy, psychology and sociology of the experience of cinema.
Atom Egoyan

SCULPTURE AS PHYSICAL COMMUNICATION (3 credits)
An artist of style-setting repute demonstrates the creative processes involved in sculpture in the age of media.
Antony Gormley

EUROPEAN FILMMAKERS: SEXUALITY AS CINEMATIC SUBJECT (2 credits)
Through self-revealing films sexuality is shown to be a subject, not an object, and a provocative feminist gaze is developed.
Catherine Breillat

AT THE INTERFACE OF NATURE AND CULTURE (3 credits)
Explores cyborgs, forests, dogs, and transgenics as entities emerging at the nexus of culture, nature, genders, races, and knowledge styles.
Donna Haraway

ISSUES IN ELECTRACY (3 credits)
Studies the shift from traditional literacy to electronic languages and advocates the conductive use of the Internet for public consulting work.
Gregory Ulmer

SCHOPENHAUER: LIVING WISDOM (3 credits)
A new reading of the German philosopher and his radical turn from spirit to body which influenced Nietzsche, Freud, Wittgenstein, The Frankfurt School but also musicians such as Richard Wagner and Richard Strauss as well as writers such as Samuel Beckett , Andre Gide and Jorge Louis Borges.
Wolfgang Schirmacher

MA COLLOQUIUM (1 credit workshop)
A one-to-one meeting in which a student presents her/his Master thesis project for immediate feed-back and constructive advice.
Wolfgang Schirmacher

ELECTIVE SEMINAR:

ACADEMIC WRITING (1 credit workshop)
With focus on the development of productive thesis statements and the organization and composition of coherent argumentation in order to prepare students to begin their dissertations.
Mark Daniel Cohen

ADVANCED PHOTOGRAPHY WORKSHOP (1 credit)
Photography as non-representational language will be demonstrated and explored. Students have the opportunity to discuss their own work with an renowed French photographer.
Suzanne Doppelt

Thesis Supervision:

For third year students — administrative interaction.
Wolfgang Schirmacher