Professor of Poetry and Writing at The European Graduate School / EGS.
Nicholson Baker (b. 1957) is a celebrated writer of fiction and non-fiction, and a professor of poetry and writing at The European Graduate School / EGS. Born in New York City, he lives in South Berwick, Maine, with his family. Baker studied at the renown The School Without Walls in Rochester, New York from 1970 to 1975. In 1975, he briefly studied at the Eastman School of Music before attending Haverford College in Pennsylvania, where he received a BA in Philosophy. As a novelist, Baker’s work focuses on the thoughts of characters during otherwise inconsequential moments. His novels generally de-emphasize narrative and rather evolve through careful description and characterization.
Perhaps inspired by his great-grandfather, the Pulitzer Prize winning journalist Ray Stannard Baker (1870-1946), Nicholson Baker is also an activist for the protection and archiving of newspapers. His campaign arose after he discovered that many major libraries destroy the paper originals once a microfilm copy has been made. Baker received the San Francisco–based James Madison Freedom of Information Award in recognition of these efforts in 1997. Two years later, he established a non-profit corporation, the American Newspaper Repository, to rescue old newspapers from destruction by libraries. These discoveries prompted Baker to write Double Fold: Libraries and the Assault on Paper, a book that received a great deal of media attention and for which he also received a National Book Critics Circle Award in 2001.
Nicholson Baker’s first work, Mezzanine (1988), takes place through the memories of an office worker as he ascends an escalator. It abounds in long footnotes and has created the genre for which Baker is best known. His next novel, Room Temperature, follows the same path, though this time it takes place during a few minutes at the narrator’s home while he is feeding his baby daughter. Through the thoughts of the narrator, Mike, Baker expresses an approach—perhaps his own—to writing: “…with a little concentration, one’s whole life could be reconstructed from any single twenty-minute period randomly or almost randomly selected.” The continuation of this novel can be read in A Box of Matches (2003) through a middle-aged narrator who has a family; in a similar way, the book mines the narrator’s “store-house” of reflections and memories.
His novel Vox (1992) revolves around a phone sex conversation through which Baker explores two, single young characters’ accumulated thoughts and memories in relation to sex on a pay-per-minute chat line. The novel was Nicholson Baker’s firstNew York Times bestseller, and, anecdotally, briefly became a media sensation when it was revealed that Monica Lewinsky had given a copy of the book to President Bill Clinton.
In one of his first non-fiction works, U and I: A True Story (1991), Nicholson Baker composes a study of how a reader engages with an author’s work, partly written as an appreciation of John Updike and partly as an act of self-exploration. In this non-traditional literary analysis, Baker has decided not to read, or re-read, anymore of John Updike, thus all of the “quotes” by Updike are written from Baker’s memory alone.
Nicholson Baker’s more recent works focus on particular political and historical issues. His novel Checkpoint (2004) is a dialogue between two old high school friends and their plans to assassinate former President George W. Bush. Human Smoke: The Beginnings of World War II, the End of Civilization (2008) offers a revised history of the beginnings of World War II. It questions the prevailing belief that the Allies wanted to avoid the war, but could not due to the provocation of Hitler’s actions. Baker uses original documents to suggest that the leaders of the USA and the UK had actually provoked Germany, and Japan, to enter into the war. In the epilogue to the book, he provocatively suggests that the pacifists (often vilified by WWII historians) might have failed, “but they were right.”
Nicholson Baker is the author of numerous novels, including: Traveling Sprinkler (Blue Rider Press, 2013), House of Holes: A Book of Raunch (Simon & Schuster, 2011), The Anthologist: A Novel (Simon & Schuster, 2009), Checkpoint (Alfred A. Knopf, 2004), Vintage Baker (Vintage Books, 2004), A Box of Matches (Random House, 2003), The Fermata (Random House, 1994), The Everlasting Story of Nory (Random House, 1998), Room Temperature (Grove Weidenfeld, 1990), The Mezzanine (Weidenfeld & Nicolson, 1988), and Vox (Random House, 1992). As well, he has published numerous non-fiction works, including: The Way the World Works: Essays (Simon & Schuster, 2012), Human Smoke: The Beginnings of World War II, the End of Civilization (Simon & Schuster, 2008), The World on Sunday: Graphic Art in J. Pulitzer’s newspaper 1898-1911 (Bulfinch, 2006), Double Fold: Libraries and the Assault on Paper (Random House, 2001), U and I: A True Story (Random House, 1991) and The Size of Thoughts(Random House, 1996).
A New Page
Baker, Nicholson. “A New Page.” The New Yorker, August 3, 2009.
Baker, Nicholson. “Narrow Ruled.” The American Scholar Autumn (2000): 5-8.
Deadline: A desperate plea to stop the trashing of America’s historic newspapers
Baker, Nicholson. “Deadline: A desperate plea to stop the trashing of America’s historic newspapers.” The New Yorker, July 24, 2000.
Grab Me a Gondola
Baker, Nicholson. “Grab Me a Gondola.”The New Yorker, June 15, 1998.
Baker, Nicholson. “China Pattern,” The New Yorker, February 3, 1997.
The Author vs. the Library
Baker, Nicholson. “The Author vs. the Library,” The New Yorker, October 14, 1996.
Short Story Contest! And the Winner is…(The Remedy, begun by Nicholson Baker; finished by Robert Phillips.)
Baker, Nicholson. “Short Story Contest! And the Winner is…(The Remedy, begun by Nicholson Baker; finished by Robert Phillips.).” The New York Times, Aug 18, 1996.
My Life as Harold
Baker, Nicholson. “My Life as Harold.” The New Yorker, June 26/July 3, 1995.
Books as Furniture
Baker, Nicholson. “Books as Furniture.” The New Yorker, June 12, 1995.
From the index of first lines [poem]
Baker, Nicholson. “From the index of first lines [poem].” The New Yorker, December 26, 1994/January 2, 1995.
Baker, Nicholson. “Clip Art.” The New Yorker, November 7, 1994.
Baker, Nicholson. “Subsoil.” The New Yorker, June 27 / July 4, 1994.
Baker, Nicholson. “Infohighwaymen.” The New York Times, Oct 18, 1994.
Leading With the Grumper
Baker, Nicholson. “Leading With the Grumper.” The New York Review of Books,August 11, 1994.
Baker, Nicholson. “Lost Youth.” London Review of Books, June 9, 1994.
Baker, Nicholson. “Discards.” The New Yorker, April 4, 1994.
Baker, Nicholson. “The Projector.” The New Yorker, March 21, 1994.
Survival of the Fittest
Baker, Nicholson. “Survival of the Fittest.” New York Review of Books, November 4, 1993.
Baker, Nicholson. “Reading Aloud.” The New Yorker, March 1, 1993.
Exchange: Pennies for Thoughts
Baker, Nicholson. “Exchange: Pennies for Thoughts.” The Atlantic, April 1991.
War and Pieces
Baker, Nicholson. “War and Pieces.” Esquire, March 1990.
Baker, Nicholson. “Room Temperature.” The New Yorker, January 8, 1990.
Baker, Nicholson. “Men’s Room.” The New Yorker, August 15, 1988.
Baker, Nicholson. “Shoelace.” The New Yorker, March 21, 1988.
Pants on Fire
Baker, Nicholson. “Pants on Fire.” The New Yorker, June 2, 1986.
Baker, Nicholson. “Rarity.” The Atlantic, October 1984.
Baker, Nicholson. “Comma.” The Atlantic, August 1984.
The Size of Thoughts
Baker, Nicholson. “The Size of Thoughts.” The Atlantic, March 1983.
Changes of Mind
Baker, Nicholson. “Changes of Mind.” The Atlantic, November 1982.
Baker, Nicholson. “Playing Trombone.” The Atlantic, March 1982.
Baker, Nicholson. “Snorkeling.” The New Yorker, December 7, 1981.
The Harold Munger’s Story
Baker, Nicholson. “The Harold Munger’s Story.” StoryQuarterly 13 (1981).